• All Tickets
    $50

plus HST & box office surcharge

Serena Ryder

*included in the Gal Pal weekend package!

Sunday, October 15, 7:00 PM
Sault Community Theatre Centre
1007 Trunk Rd.

Join JUNO award winning artist Serena Ryder as she performs songs from her new album, Utopia, “Electric Love” and “Got Your Number.” She is sure to delight with her soulful voice and fun stage presence! 

Commonly said about Ryder is: “Why turn it off when it comes easily? Some people need plans and deadlines and discipline to get anything done, some people just do what they do naturally and effortlessly”. Serena Ryder does what she does naturally and effortlessly, and has done what she does naturally and effortlessly since she was a young girl. This girl was performing by the age of eight, cut her first record at 16 and could boast of being a major-label artist with a gold-selling album, 2006’s If Your Memory Serves You Well and a gold-selling single, the lingeringly knee-weakening “Weak in the Knees,” all before she’d even turned 25. And yet it took a debilitating bout with depression and artistic self-doubt brought on by her premature pigeonholing as just another “sensitive Canadian folk chick with an acoustic guitar” for her to finally let it all come out truly naturally and effortlessly on Harmony, the album where Ryder found her voice and discovered that the best formula for her success is… no formula at all.

Serena can be quoted as saying: “Most of the time, I really feel like I have no idea what I’m doing. I’ve been doing this since I was straight out of high school – touring, writing, performing – and I still feel like I’m brand-spankin’ new. I don’t know what kind of songs I’m going to write or what kind of record I’m going to put out. I don’t have a set-in-stone identity when it comes to being a musician. It’s a mystery, even to me; a good one. It’s nice to be able to live within that mystery.”

She may even be making a new triple album. It might have taken four-and-a-half years for this celebrated Toronto singer/songwriter to gift us with a follow-up to 2012’s expectation-defying critical and commercial hit, Harmony, but a lack of new material was definitely not the hold-up. 

No, just as she did for the last record, the prolific Ryder amassed something like 65 or 70 songs during the run-up to her star-solidifying new platter, Utopia. The challenge wasn’t coming up with new material; the challenge was whittling it all down to fit an album-sized package. Ryder was so flush with good stuff heading into Utopia, in fact, that she briefly toyed with releasing her own equivalent of the Clash’s Sandinista! or George Harrison’s All Things Must Pass – a triple LP composed of songs that she envisioned divided amongst moods of “light,” “dark” and the “grey” area in between.

In the end, she chose to compress the full spectrum of emotions into a more manageable, but no less ambitious package that wouldn’t necessarily require booking a day off work to properly absorb in one sitting. But you’ve been warned: there is definitely more to come.

“I still have all those songs and, to me, they’re all good and they’re all good for a record so I don’t know,” she laughs. “I might have three more records.” 

You can still hear the results of the “letting go” that allowed Harmony – a genre-oblivious sleeper hit that went on to notch platinum sales in Ryder’s native Canada – to happen living and breathing on the radio to this day, since that record’s signature single, Stompa” (triple-platinum and counting north of the 49th parallel), and its anthemic follow-up, What I Wouldn’t Do”, haven’t left the airwaves since.

Now you can hear the further results of Ryder’s ongoing liberation from what she described in 2012 as a burdensome “idea of who I thought I was” on Utopia, which extrapolates upon its predecessor’s “anything goes” template with even more confidence and joy.

Utopias sassy soul-pop romp and lead single Got Your Number”, hatched spontaneously during an exploratory early writing session that found Ryder once again casting aside her guitar and “just goofing around on the drums, just kind of rapping and rhyming and singing weird jazzy stuff” in search of new musical avenues to explore, is but a tantalizing taste of the surprises Serena Ryder has to offer on her new record. 

There was no grand design to Utopia. A loose theme derived from the First Nations parable of the Two Wolves – which states that we have all have two wolves inside us, one light and one dark, that fight for dominance as they are fed in either direction – applied itself in hindsight, as Ryder saw those two sides of her own personality playing out in the song writing and wondered what would happen “if you fed both wolves instead of just one of them, so that neither of them are hungry?” 

Utopia is a collection of winning songs written on the fly in Los Angeles, London, Nashville, Los Angeles and Toronto with such friendly collaborators as Simon Wilcox, Thomas “Tawgs” Salter, John Grant, Todd Clark and Derek Furnham with one goal in mind: to enjoy the moments that make up the process of creating music.

http://www.paquinartistsagency.com/roster/artist/serena-ryder



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